Sins


Sometime around 11 in the morning, you get out of bed, you open the dusty blinds and fixate on the hawthorn tree with its tips reaching your window. The red berries you have tasted every bloom are frozen, the branches are coated with a soft layer of snow, and you think that maybe this is the day. A flimsy jacket over your thin white shirt and a pair of jeans take you outside – your cotton flats make no crunching sounds as you go out and leave a small trail of silent footsteps on your way to the hawthorn tree. Your head is angled up, your mouth, open in an invitation that gets rejected continuously. You never got along with snowflakes. When you reach the tree, you pop a frozen haw berry in your mouth and lie down under the tree where the leaves are thick. You can never fully trust a half evergreen. You watch the sky through the little cracks, and as the berry leaves a bitter aftertaste in your mouth, you realize that you don’t know where the sky ends and where the rest of the universe starts. You close your eyelids, and wait, because the snowflakes that will reluctantly land on them will numb your whole body. Breathe in, you’ll never know when you are cold, just trust the snow and the soil to do their work. They will clean you of your sins, take you apart, and give you a new beginning. Yes, you want that. Breathe. Time passes rather quickly. It’s 11 at night and the dim streetlight is giving the snow a yellow tint. You smile. The icicles under your fingertips will disintegrate you and the earth will take you in, and you finally understand why the berries taste bitter – they are filled with sins.

Belle ©

Equestrian Acts: the Cossack Rider

inspired by The Ring of Time by E.B. White

"The girl wasn’t so young that she did not know the delicious satisfaction of having a perfectly behaved body and the fun of using it to do a trick most people can’t do, but she was too young to know that time does not really move in a circle at all."

It seemed repetitive maybe, I am not entirely sure, but what I did, what I felt, every single emotion that washed over me with each stride, with each movement, was different, distinguishable, unique, irreplaceable, a hallmark in my journey through time and space as I flied, as I stood atop my horse, as it strolled around in a circle, as the earth circled around the sun and the sun around the Milky Way and the Milky Way around the universe. Each gesture lighted up, shone brightly for an instant, and then faded away to become a piece of the trail I was leaving behind as I traveled the cosmos. 

I had never given much thought to what I did outside of where I did it. My whole life had been inside the circus. Confined to striped colors, flapping tents, discarded tickets, tamed beasts and roaring crowds of similar interests. I had woken up to lion roars and I had slept with monkey howls, and although I had realized that the life I led didn’t fit the norm, it had become routine for me to comb out straws from my hair and to rub away bear droppings from my soles. It had become routine, predictable, scheduled almost.

Until I saw Van Gogh’s Starry Night. I had never paid particular attention to art. I liked literature, I liked biographies and atlases, I liked analyzing constellations and old maps, and I liked reading the journals of ancient travelers and early sea voyagers. But I had never realized that we had enough magic on our hands to create masterpieces like The Olive Trees or Daubigny's Garden

I was fifteen, we were visiting Amsterdam, and I had an entire afternoon to myself. I was getting ready to lie on my bed with my favorite astronomy magazine when I heard that we had settled a walking distance away from a famous art museum. I don’t know what exactly made me tuck the magazine under my pillow and forced me to get up and leave to find the said art museum, but that’s what I did. When I finally stepped inside, eyeing the first exhibit, half an hour later, I seemed to regain control of my senses. I felt as if something had pulled me into the Van Gogh Museum and although the mysterious force was disappearing, it was leaving a ghost attraction towards one of the paintings. The Starry Night

I walked towards that painting and watched it, absorbing each hue, each curve, each dimension, and each shade. I lost myself inside the stars, inside the gleaming crescent of the moon, in the flowing winds of the night. When I came to, I turned around and walked all the way back to the circus. I flopped down on my bed, the nebula posters on my ceiling merging together in countless swirls of colors. I felt as if I was drugged, as if someone had taken my life, stretched it around a canvas, and was doodling around with an enchanted paintbrush. I closed my eyes and as the images slowly calmed against my eyelids, I understood what my life had meant. I saw the path I was carving out in the celestial sphere.

“Horses are the nomads of the Chinese Zodiac, roaming from one place or project to the next.” It all fit perfectly. 

Perhaps, I don’t look it, and perhaps it seems repetitive, but what I do is what I am. Each second, I transform, I change, I grow, I leave one more footprint behind. Every action ignites a signature. Every action brands my presence, my existence, my being. I leave behind a long track of lights. A unique one-way route for each soul, untraceable, only recalled in memories. No chance to go back to the beginning, no chance to go back even a second. We move until the universe can expand no more and has to coil back again. Back into the infinitesimal mass it rooted from. But until then, I am moving forward, carving an intricate design and leaving a legacy. A road made of stars. 

•••

I can feel the eyes of the guy who looked at me with a strange sort of curiosity as I entered. I dismiss his gaze and focus on my road, I lose myself, each second counts, I treasure as many light particles as I can and as I finish my last circle, I see that the guy looks displeased. Maybe he didn’t have his Starry Night moment yet. But he will. He surely will.

Charms in We The Living

We The Living by Ayn Rand ~ 509 pages

***

"It seemed that the words she said were ruled by the will of her body and that her sharp movements were the unconscious reflection of a dancing, laughing soul. So that her spirit seemed physical and her body spiritual."


"The first thing that Kira learned about life and the first thing that her elders learned, dismayed, about Kira, was the joy of being alone."

"There is no such thing as duty. If you know that a thing is right, you want to do it. If you don’t want to do it—it isn’t right. If it’s right and you don’t want to do it—you don’t know what right is and

you’re not a man."

"Because I have less in common with you than the enemies who fight you, have. I don’t want to fight for the people, I don’t want to fight against the people, I don’t want to hear of the people. I want to be left alone—to live.”"

"Because, you see, God—whatever anyone chooses to call God—is one’s highest conception of the highest possible. And whoever places his highest conception above his own possibility thinks very little of himself and his life. It’s a rare gift, you know, to feel reverence for your own life and to want the best, the greatest, the highest possible, here, now, for your very own. To imagine a heaven and then not to dream of it, but to demand it."

"Well, I always know what I want. And when you know what you want—you go toward it.

Sometimes you go very fast, and sometimes only an inch a year. Perhaps you feel happier when you go fast. I don’t know. I’ve forgotten the difference long ago, because it really doesn’t matter, so long as you move."

"I don’t mind that we’re beaten. I don’t mind that we’ve taken the greatest of crimes on our shoulders and then let it slip through our fingers. I wouldn’t mind it if we had been beaten by a tall warrior in a steel helmet, a human dragon spitting fire. But we’re beaten by a louse. A big, fat, slow, blond louse. Ever seen lice? The blond ones are the fattest. . . . It was our own fault. Once, men were ruled with a god’s thunder. Then they were ruled with a sword. Now they’re ruled with a Primus. Once, they were held by reverence. Then they were held by fear. Now they’re held by their stomachs. Men have worn chains on their necks, and on their wrists, and on their ankles. Now they’re enchained by their rectums. Only you don’t hold heroes by their rectums. It was our own fault."

"“The survival,” said Leo, “of the fittest. However, not all philosophers are right. I’ve always

wanted to ask them one question: the fittest—for what?"

"So you loved me? So I was the highest of women, a woman like a temple, like a military march, like a god’s statue? Remember who told me that? Well, look at me! I’m only a whore and you’re the one who made the first payment! sold myself—for money—and you paid it. Down in the gutter, that’s where I belong, and your great love put me there."

"What are we doing? Do we want to feed a starved humanity in order to let it live? Or do we want to strangle its life in order to feed it?"


"She had no thoughts left. She felt empty, clear and quiet, as if her body were only an image of her

will, and her will—only an arrow, tense and hard, pointing at a border that had to be crossed."

Review with Spoilers

I am not sure what exactly I was expecting with this book, but it was a bit of a disappointment. I read The Fountainhead and Anthem by Rand and thought I would like this book, but it didn't live up to my expectations (maybe because she published We The Living before the other two I have read).

The story is one that of individual vs. state with our protagonist as Kira, the virtuous heroine who will sacrifice herself to a villain to save a hero only to find that the villain was the hero and the hero the villain. 

Before I go into problems I have with the story, the thing that bothers me about Rand is that her philosophy, objectivism, says that man is an end in himself and must live for his own happiness. And although, on her website and in her books, there is clarification about 'man' referring to humankind, Rand always uses males as the incarnations of her philosophy. As soon as the females fall in love or become fascinated with the unique male heroes (Gods as she calls them) they lose all of their own integrity. Thus bringing me into why I just didn't understand Kira's characterization at all. 

Kira started out as a the ideal Randian character, I was hoping she would be the Howard Roarke of this book, but as soon as she met Leo, she went into the stereotypical housewife mode and beyond. The Kira that didn't care about people's opinions and gossip became a Kira that started giving importance to the most bland things. She started cooking, and cleaning and changed into a communal being overnight which would have been acceptable if she were continuing her previous characterization as an independent and free woman. As if the sudden change wasn't enough, she treated Leo as if he was the reason behind her existence and at multiple occasions, she pointed out her own inferior status in the relationship, once calling herself a 'slave' and Leo a 'slaveowner.' And all of her integrity, for me, disintegrated as soon as I realized that she was going to stay in that relationship. Leo was abusing her in a psychological way, which makes sense because although Kira mistakes him for the hero, he turns out to be the villain – but her staying with Leo made no sense to me whatsoever given that she was well-aware of her situation and her options to get out of it. Now, if you look into typical abusive relationships this might be expected behavior, that the victim stays to change the abuser. But Kira didn't think like the usual victim which is why I thought she would save herself and realize Leo's real persona before 400 pages had passed. 

What furthers the gender problem is that, in my edition (purchased form the Ayn Rand Foundation), in the back, there are some comments by Rand about the characters. Rand says that Kira was above both Leo and Andrei (the hero who was made to look like the villain), but to me she looked below both characters. She begun the book with a high sense of self, lost all her characteristics in the middle, regained her composure towards the end for a few pages, and lost it all again in the end.

Overall, I didn't dislike the book, as I like Ayn Rand's storytelling, and am fascinated by her ideas, but I am a religious person and after I read the following part in the book, I realized Rand might have been looking at stereotypical viewpoints on religion.
"Because, you see, God—whatever anyone chooses to call God—is one’s highest conception of the highest possible. And whoever places his highest conception above his own possibility thinks very little of himself and his life. It’s a rare gift, you know, to feel reverence for your own life and to want the best, the greatest, the highest possible, here, now, for your very own. To imagine a heaven and then not to dream of it, but to demand it."
I do believe in a God and an after-life but I do respect and cherish my life here on earth as well. I don't see any need to go to extremes and ruin my time here, in the end, it's all about moderation. Of course, people might think and live differently, and they do, but just because I believe in a God doesn't mean I don't believe in life.

With a lot of Rand's writing you'll see that she puts a great deal of importance into existing for the sake of existing and cherishing what one knows she has. We don't know for sure what happens after life and we don't know what happened before, and since we are physically sure of this world and this existence (which is flawed because: solipsism) we should make the most of it. This of course definitely boosts a person's ever inflated ego exponentially. Here you have someone who not only doesn't believe in a superior being, and sees herself as the most superior being in existence, but also condemns those who don't. People have exalted themselves to the point of being Gods so that the idea of a creator offends them.

“I cannot believe in a God who wants to be praised all the time.”
― Friedrich Nietzsche

Nietzsche here – with whom, I sometimes speculate, Rand would have had the time of her life, had she lived one generation earlier – is on the same boat. The idea of a supreme being, something bigger than himself offended him. We are talking about the creator of all that exists in our universe, of life, of humanity, of compassion, of trust, of galaxies, of oceans, of black holes, of dark matter and of motor proteins. And this man, he says he can't believe in a being who in theory not only has created him, but has also allowed him to exist on this realm. Without seeing her own littleness, the person starts thinking of herself as God. People love to believe they are powerful, but often times they fall victims to unstoppable microscopic cells in their own bodies.

So, yes "whoever places his highest conception above his own possibility thinks very little of himself and his life." Because we are little. Physically, we are not above anything else on the planet. We are helpless and tiny and incompetent. But. We are human. Our humanity is the only thing that can set us aside and I think that makes for a better philosophy. Because men aren't gods. They will never be gods. But men can be the best representatives of humanity. Of what differentiates us from the rest of the living beings in existence. Men will never be immortal, invincible and eternal. But men may be able to leave ideological legacies, build iron relationships, and achieve a world where education gets more funding than military technology.

Lots of keys,
~Belle